This chapter discusses how to fire enamels in a kiln. Torch firing is discussed in the project by that name. There are two Learn the Technique mini-projects: how to fire your first layer of a transparent enamel directly on copper and a high firing technique, which we call HIgh Firing Webbing Design. The high firing technique can be accomplished in more than one way - the book discusses one way, but I've found another that didn't make it into the book so that is listed here.
High Fired Webbing Design
The High Fired Webbing Design is based on Pull-Through where the bottom layer of enamel is visible through the next layer(s). This can be achieved in a few ways. The book discusses the various ways for Pull-Through. It also lists the High Fired Webbing Design (by Trish White) using a leaded enamel base with at least one un-leaded enamel over that. But the High Fired Webbing Design can also be achieved using all un-leaded enamels, IF the base is very soft. This update listed below only discusses Thompson enamels as I'm not familiar with most of the other brands.
One such soft enamel by Thompson is 2008, a soft fusing clear transparent, which was formulated as a base to be used with the Liquid Form Enamels (LFE, ex: 533 white), which used to be called the Crackle Enamels. However, of course it can be used by itself without the LFEs. 2008 is called Clear Crackle Base. But note: unless it is used with the Liquid Form Enamels, any use of it should not be called Crackle Enamel as for that name, one of the Liquid Form Enamels needs to be used.
That being said, let me tell you that there is confusion between Separation Enamel, Pull-Through, Crackle Enamel and HIgh Fire. This is address in the book and will not be discussed here. These are all different, are achieved differently via different reactions (chemical or otherwise), and actually don't look alike if you are familiar with all four. The book shows side by side photos of these so you can see the differences.
Back to High Fire Webbing Design. Trish and I made up this name just to be able to give it a name because other forms of high firing produce other results. Ex: if you overfire Thompson Hunter opaque you will probably get a turquoise; overfired white usually shows some green and maybe blue, etc. These have nothing to do with the Webbing Design.
I tested using 2008 in three ways:
All tests worked, resulting in the fact that 2008 can be used to achieve the High Fire Webbing Design. Here are my results, the step numbers show the layers. Each layer was fired at about 1450° for about 1.5 - 2 minutes until the last firing which was done at 1600° for 2.5 minutes. Timing varies and one has to look to see if the fusing is done and on the last layer if you have achieved what you wanted (otherwise keep on firing!).
I also ran two other tests using differnt bases...
Conclusions: My thought is that almost any combination of colors would work as long as there is a soft base (like 2008). I do like using a mixture of opaque and transparents. Keep in mind that opaques, when high fired, could turn transparent (more discussed about this in the book). And sometimes I use more than one color on a layer. One cannot control what you get and so you have to be satisfied with whatever happens. More experimenting is needed as sometimes the web openings are large and sometimes small and Trish and I cannot figure out why one forms over the other. If you figure this out, please contact me! The instructions for the HIgh Fire Webbing Design that is in the book using leaded enamels has a slightly different look. I like that look best (see the moon photo to the right, which also shows overfired white (I used Foundation White)), except for the test using Titanium White.